Digital photography comes with its own
set of archiving problems. Microsoft, Cirius, and Lifescape want to
help.
All my life I have been an avid photographer. I
have thousands of slides, negatives and prints from the past 30
years, carefully preserved in plastic sleeves in a score of
three-ring binders. In 50 years, the color slides shot on Kodachrome
will still be vibrant; the silver black-and-white negatives and the
boxes of my favorite prints will still be beautiful works of art.
But there is a problem with my
photographic archive: the photos are trapped in those binders. My
digital shots, on the other hand, are a source of constant joy.
That’s because I have a computer in my kitchen with a screen saver
that displays random photographs taken from my digital photo
album—currently 5,400 images totaling more than 3.6 gigabytes of
data.
But keeping track of that many photos—without the orderly sleeves
and binders of my offline collection—has turned into a big problem.
When I first went digital in 1996, I took so few photos that I could
dump them all in a directory named “1996.” The following year I
created a directory for every month, or every major event. The
system takes some work, and it’s pretty easy to make a mistake and
misfile something.
Windows XP comes with some built-in tools for managing photos,
letting you view preview images in a directory, and rotate images
directly from Windows Explorer. If you want a little more control,
there’s a nifty program called ThumbsPlus from Cerious Software. The
latest version, ThumbsPlus 5, has an interface similar to Windows
Explorer, but faster and more flexible. Still, ThumbsPlus is locked
into that same file-and-directory metaphor; the software lets you
efficiently move around files and directories, but still forces you
to be a file clerk who knows the right location to put everything
away.
For a much more refined and pleasing experience, I recommend
Picasa, an integrated photograph management system released last
month by Lifescape Solutions. Picasa costs $29.99; you can buy it
from the company’s Web
site and, soon, in all Ritz Camera stores.
Picasa is a second-generation digital photography management
system: it emphasizes photographs, dates, and subject matter, rather
than files, directories, computer formats.
When you first install Picasa, the program scans your hard drive,
looking for every image that it can find. The program creates a
photo album for each directory containing images. It then arranges
these albums in chronological order, using either the timestamp
inside some JPEG images or, failing that, the file’s timestamp. Each
album consists of thumbnails for all of the photographs that it
contains. You can instantly resize the thumbnails and scroll through
them at blinding speed, making Picasa one of the fastest ways to
find that long-lost photo buried someplace on your hard drive.
Picasa also helps you print an album. Click “print” and it will
let you print out full-sized photos or a “contact sheet” of
thumbnail images. The program adjusts the on-screen display to match
the printer you select; if you have a black-and-white laser printer,
you’ll see black-and-white photos on your screen.
Both Windows XP and Picasa feature a slideshow that cycles
through your images. I prefer the XP screen saver: it picks random
images and allows me to select transition effects. Picasa’s slide
show is confined to a single album, and it always uses the same fade
effect to transition between images. Many people like this kind of
slide show, but it reminds me of a hackneyed, melodramatic movie.
More importantly, Picasa’s slide show is not a screen saver, so it
doesn’t turn on automatically when your computer is idle.
Picasa’s big gimmick is its “timeline” view, which
takes over the entire screen, displays dots along the bottom
corresponding to individual albums, shows a few photographs for each
album in a big swoosh that moves across the screen, and displays a
low-contrast black-and-white image across the background to set the
mood. Some graphic artist spent a lot of time on this display.
Personally, I don’t care for it. Picasa 1.0 also has the typical
bugs and limitations that one would expect in a Release 1.0 program.
The good news is that a 1.1 program will be released later this
month. Long term, however, the program must handle image formats
other than JPEG, integrate archiving, and include better tools for
editing the information associated with images, as well as the
images themselves.
But despite these problems, in many ways Picasa is the best thing
going for managing personal digital images. (Professional tools,
such as Canto’s Cumulus, offer more features, but prices start north
of $1,000.) The chronological ordering is certainly
head-and-shoulders above the tools from Hewlett Packard, Microsoft,
and Sony. It’s also quite fast—the program handled my entire photo
archive without any trouble at all. The interface is a visual
delight, and the program is a real pleasure to use.
Finally, in a discussion of digital photography, I would be
remiss to forget Hewlett Packard’s new deskjet 450 printer,
introduced just a few weeks ago. The printer lists at $349.99, but
you can find it for $300 if you look around.
Weighing just under five pounds, the 450 is a portable inkjet
printer that’s equally happy running off its compact power supply or
its detachable lithium-ion battery. The printer features the
traditional parallel and USB interfaces, but it also has a
compact-flash reader, allowing you to take a compact-flash module
out of your camera and print the images directly, without having to
go through your computer (provided that your camera supports the
DPOF standard for specifying which photos you want printed). The
printer also has both an infrared and a Bluetooth adapter, allowing
you to print from laptops, handhelds, and even Bluetooth-enabled
cell phones.
Hewlett Packard claims that this printer will print “up to 9”
pages per minute; in my tests, a page takes somewhere between 20
seconds and 45 seconds, depending on how much print is on it. The
real benefit of this printer is that it lets you print in a motel
room, in your car, or even on a train. This printer makes digital
photography almost as easy as shooting a Polaroid instant
print—except its results are bigger, they look better, and can be
printed over and over again.
The 450 takes Hewlett Packard’s new 56/57/58 inkjet cartridges,
meaning you can print photos with either four colors or six (the
more colors you use, the better a photograph looks). Hewlett Packard
claims that these inks are archival and will last “generations.” Of
course, there’s no easy way to test this claim, so it’s probably a
good idea to keep your original digital files as well.
Digital imaging has certainly come a long way. With the
combination of a good modern digital camera, a good image management
system, and a printer, most people can have the pleasure of shooting
parties, friends and special events, keep the images for years, and
never have to invest the time, energy, and space in creating binders
like the ones I have upstairs. Now if only there was some easy way
to get all of those old binders into digital format…
Next month I’ll be taking a break from computers and explore
what’s happening in the world of LED illumination.
In addition to being a columnist for
the print edition of Technology Review, Simson Garfinkel is the author of
nine books on computing, the latest of which, Database Nation, was widely
hailed as the most important book of 2000 on digital privacy.